Here is an example of one of our Youvies. This Youvie was designed to bring Nicole into her jungle-themed party.
Writer: Michael Richards
Cinematographers: Jimmy Shelton, Dave Williams, Jordan Oplinger
Editor: Jordan Oplinger
Prop Girl: Sharon Pollack
Sticking with my recent wedding video myth-busting theme, I was reminded of the importance of multiple cameras as I watched a recent film we just delivered. In this segment of the film, Marianna’s sister sings a song she wrote for the couple.
Watch their entire full length film HERE
As you can see, the reactions are just as important as the action itself. With one camera, the instant reactions would have been impossible to cover, making this a very different film.
One Camera is Enough
Many wedding videographers shoot with only one camera. If they offer a second camera, it is often un-manned. As you can see in the example above, multiple manned cameras are necessary to get the action and the reaction, be it during the vows, a speech, or a toast. Recently, I watched a clip from a videographer who posted online. He was complaining about guests getting in the way with their point and shoot cameras. His unmanned second camera in the back of the church was blocked by a guest, so he missed the kiss and other important moments. With one camera, this is very likely to happen again and again. A human being must be in control over the camera because with so many snap-happy guests, it is almost guaranteed that a locked off, unmanned shot will be blocked. You can’t get that back.
More than One Camera is Obtrusive
Some videographers will tell you that fewer cameras are less obtrusive, but the fact is, the more cameras you have, the less those cameras have to move. Two or three cameras at a ceremony, for example, can get two or three angles at the same time, without having to move. One person with one camera has to run around to get all those angles, and can never shoot more than one angle at a time. This means that precious moments and emotional reactions are gone forever.
Speaking of ‘obtrusive’, I can’t gloss over the fact that being unobtrusive has a lot to do with how wedding cinematographers handle themselves. One video guy with a video light on top of his camera moving around the dance floor with a big tripod on wheels is ten times more obtrusive than three stealthy cinematographers dressed like guests and blending in. While the number of cameras is important, it is just as important to understand how your filmmaker operates.