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Best Cinematographer in Philadelphia, Five Years in a Row

August 31, 2011

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For the fifth year in a row, CinemaCake Filmmakers has been voted the Best Wedding Videographer in Philadelphia.  This year, 85 videographers were nominated.  PHL17 Philly Hot List handled the voting online.



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Caroline and Chris React to their Same Day Edit

August 29, 2011

Every once in a while, we have the opportunity to record the reactions of our clients watching their Same Day Edit at the reception.  The other night we presented Caroline and Chris’ Same Day Edit at the Four Season Philadelphia Hotel.  We created a split screen so you can see how they and other guests reacted as the film played in the ballroom.  Why does making people cry make us so happy?

Cinematographers: Dave Williams, Jimmy Shelton, Tom Connors
Editor: Jordan Oplinger
Planner: Uncommon Events
Designer: Evantine
Venue: Four Seasons Hotel Philadelphia
Photographer: Barnaby Draper
Entertainment: EBE L.A. Starz



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Elsi3e DiSipio: (09.08.11-1:30pm) Loved this!!!!It really showed all the love and attention that was given to plan the wedding for all the family and friends .I was honored to be part of this special event.You all can take a bow,for a superb job.

CinemaCake Featured by Style Me Pretty

August 26, 2011

A big, humble “Thanks” to Style Me Pretty for featuring Kate and Luke’s Coming Soon Movie Trailer.  Thanks to Bernadette Uzcategui for submitting her photos as well.  CLICK HERE to see the Style Me Pretty blog.



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Wedding Video Myth: One Camera is Enough

August 19, 2011

Sticking with my recent wedding video myth-busting theme, I was reminded of the importance of multiple cameras as I watched a recent film we just delivered.  In this segment of the film, Marianna’s sister sings a song she wrote for the couple.

Watch their entire full length film HERE

As you can see, the reactions are just as important as the action itself.  With one camera, the instant reactions would have been impossible to cover, making this a very different film.

The myths:

One Camera is Enough
Many wedding videographers shoot with only one camera.  If they offer a second camera, it is often un-manned.  As you can see in the example above, multiple manned cameras are necessary to get the action and the reaction, be it during the vows, a speech, or a toast.  Recently, I watched a clip from a videographer who posted online.  He was complaining about guests getting in the way with their point and shoot cameras.  His unmanned second camera in the back of the church was blocked by a guest, so he missed the kiss and other important moments.  With one camera, this is very likely to happen again and again.  A human being must be in control over the camera because with so many snap-happy guests, it is almost guaranteed that a locked off, unmanned shot will be blocked.  You can’t get that back.

More than One Camera is Obtrusive
Some videographers will tell you that fewer cameras are less obtrusive, but the fact is, the more cameras you have, the less those cameras have to move.  Two or three cameras at a ceremony, for example, can get two or three angles at the same time, without having to move.  One person with one camera has to run around to get all those angles, and can never shoot more than one angle at a time.  This means that precious moments and emotional reactions are gone forever.

Speaking of ‘obtrusive’, I can’t gloss over the fact that being unobtrusive has a lot to do with how wedding cinematographers handle themselves.  One video guy with a video light on top of his camera moving around the dance floor with a big tripod on wheels is ten times more obtrusive than three stealthy cinematographers dressed like guests and blending in.  While the number of cameras is important, it is just as important to understand how your filmmaker operates.

Here are other examples of how important it is to have more than one camera:
Holly and Bill
Mallory and Will
Rini and Wayne



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Wedding Video Myth: Longer is Better

August 14, 2011

imageFor 30 years, human beings have been coming up with credible reasons to leave a friend’s home when they are asked, “Want to watch our wedding video?”.  “Oh it’s only an hour and a half long? That’s awesome - can we do it next time I’m here?  I have to go get a root canal.”

Some people equate ‘Longer’ with ‘Better’, but it’s simply not the case.  In fact, most of our best films have been 20 minutes or less.  Some clients order much longer films and still love them, but over the last couple of years, most of our clients have gravitated to the short film.

Short films are not constrained to telling a story chronologically or in real time.  Like most mainstream films today, our films are dense and layered - therefore more interesting to watch.  Our philosophy is that the viewer should never feel the need to “fast-forward through the boring parts”.  In our short films, every shot is carefully chosen and edited into a story that has real emotional impact.  We find that our clients cannot take their eyes off the screen when a short film is playing.  This is not a film that will be watched once a year on a wedding anniversary.  Instead, it will be watched over and over again, and shared through social media.

Another common myth is that short films don’t take as long to create and should cost less than a feature film.  In fact, more thought and effort goes into a film that time-shifts and tells a story in a non-chronological fashion.  The good news is that regardless of whether CinemaCake clients choose a short or feature film, the price remains the same.

Here are some related myths to watch for as you choose a filmmaker:

One Camera is Enough
The biggest problem with one camera coverage is that there is no way to capture two things happening at the same time.  Imagine all of the moments when the reaction is just as important as the action itself.  Take the Maid of Honor’s Speech at Holly and Bill’s Wedding as an example.  With one camera, the emotional impact of that short speech would not be there.

The Second Camera Does Not Have To Be Manned
An unmanned camera can be used as a wide shot from the balcony for example, or just a static shot down the aisle during the ceremony.  Either way, it’s unmanned so it cannot refocus, re-frame, or move if a shot is blocked.  It’s a static, security-camera looking shot that the videographer can’t count on in a pinch.  A static camera has it’s place, but it is no replacement for a human behind a camera.

See the Difference for Yourself
At CinemaCake, all of our clients get a choice of a Short Film, a Feature Film, or something in-between.  Our films are customized for each client and are always the RIGHT length.  For the clients who choose our short films, all unedited footage is delivered as well, so if one day you DO want to look through all of the footage, you can.

Please comment below with myths that you know about.



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